Bibliography: Hany Armanious

HANY ARMANIOUS

BIBLIOGRAPHY: 2014 Sherman, Sam. “Critic’s Pick: Hany Armanious.” Artforum. 9 Feb. 2014. 2011 Krischer, Oliver. “Hany Armanious: Plundering the Uncanny Valley.” Artasiapacific 73, May-Jun. 2011: 93, 120-129. 2010 McGarry, Kevin. “Asked & Answered | Hany Armanious.” The New York Times Style Magazine. 6 Dec. 2010. / Wilson, Michael. “Hany Armanious, Birth of Venus.” Time Out New York. 17 Jun. 2010:68 / Fulton, Adam. “Digging the Dirt All the Way From Leichhardt to Venice Biennale.” The Sydney Morning Herald. 19 Feb. 2010. 2009 Jasper, Adam. “Unreality Bites.” Art World. 8. Apr.-May. 2009: 74-80. / “Hany Armanious/Norbert Schwontkowski”, text by C. Rossetti, exibart.com, December 2009 / “Una brezza visiva”, text by M.T. Annarumma, moonboow.it, November 2009. / “L’opera d’arte nell’era delle nuove tecnologie”, text by E. Oreto, artspleen.blogspot.com, November 2009. / “Hany Armanious/Norbert Schwontkowski”, leggievai.it, 10 November 2009. / “L’occhio ironico diventa filtro dell’iperrealismo”, text by D. Ricci, “Il Mattino”, Naples, 6 November 2009. / “Due artisti sulla linea dell’ironia”, text by G. Salzano, “Il Roma”, Naples, 6 November 2009. / “Resine di Armanious, tele di Schwontkowski”, “Il Mattino”, Naples, 29 October 2009. / “Hany Armanious: Unreality Bites”, text by A. Jasper, Art World, Issue 8, April/May 2009. 2008 “Current, Contemporary Art from Australia and New Zealand”, Art and Australia (eds.), Sydney. 2007 “Lost and Found: An Archeology of the Present”, text by C. Day, exh.cat., TarraWarra Museum of Art, Melbourne, 2007. / “Hany Armanious, pragmatic metaphysics, painstaking copies and infinite pedestals”, text by A. Jasper, Frieze, issue 114, April 2007. / “Year of the Pig Sty”’ The Archivist, http://whatswhat-whoswho.blogspot.com/2007/11/year-of-pig-sty.html, November 13, 2007. / “Art in Review – Hany Armanious, Year of the Pig Sty”, text by R. Smith, The New York Times, New York, November 23, 2007. / “Mudruckers and Mudslingers on 27th St.’ Chelsea Now”, text by Debra Jenks, 26 October – 1 November 2007. / “Hany Armanious at Foxy Production”, text by J. Wagner, Jameswagner.com, 21 October 2007. / “The Illusionist”, text by Miranda Fallace, Eyeline, No. 63, Winter 2007. / “Hany Armanious: Morphic resonance in Brisbane”, text by A. Kubler, Art Monthly Australia, July 2007, Number 2001.  / “Hany Armanious: Morphic Resonance”, text by H. Galbraith, City Gallery Newsletter, Wellington, Winter 2007. / “Hany Armanious: Morphic Resonance”, exh. cat. Institute of Modern Art, Brisbane, winter 2007. / “Hany Armanious”, text by Ashley Crawford, Australian Art Collector: 50 Most Collectable, Artists 2007, Issue 39, January – March 2007. 2006 “Before the Body-Matter”, exh. cat., Monash University Museum of Art, Melbourne, 2006 / “Review of Adventures with Form in Space: The Fourth Balnaves Foundation Sculpture Project”, text by J. Millner Eyeline, no. 62, Summer 2006/2007. / “Looking Back: Retrospectives”, text by D. Palmer, Frieze, n. 104, December – January 2007. / “Preview of Uncanny Nature”, text by A. Crawford, The Age, Sunday, 3 September, 2006. / “Adventures in Form and Space, Balnaves Foundation Sculpture Project 2006”, text by D. Phillips, Art and Australia, Vol. 44, No. 2, Summer 2006. / “Morphic Resonance”, Institute of Modern Art, exh. cat., 2006. / “In the heart of the wood”, text by A. Frost Australian Art Collector, Issue 38, October – December 2006. / “dot complimentare”’, text by S. Smee, The Weekend Australian, September 9 – 10, 2006. / “Lights, action, entertainment”, text by J. Mc Donald, `, Review of Adventures with Form in Space: The Fourth Balnaves Foundation Sculpture Project, in Spectrum, The Sydney Morning Herald, September 9-10, 2006. / “Hany Armanious”, text by Rebecca Coates, exhibition catalogue of Uncanny Nature, Australia Centre of Contemporary Art, Melbourne. / Selekta exhibition catalogue, West Space, Melbourne. / “Hany Armanious”, text by J. Markou, Adventures with form in space, Balnaves Foundation Sculpture project, exhibition catalogue, Art Gallery of New South Wales, Sydney. / Review of Intelligent Design, The Art Life, http://www.artlife.blogspot.com, 28 June 2006. / “Two artists showcase latest work”, text by D. Simmonds, Inside Entertainment, The Sunday Telegraph, June 18, 2006. / “Open Gallery”, text by S. Creagh, review of Totemistical and Intelligent Design, The Sydney Morning Herald, June 10-11 2006. / “The Alchemist”, text by B. Brennan, Vogue Living, January/February 2006. 2005 “Turns in Arabba”, text by J. Markou, exhibition catalogue, Michael Lett Gallery, Auckland. / “Art in Review for 2005”, text by J. Gough, Art in Australia, Vol. 43, No. 2, Summer 2005. / “Where the Wild Things Are”, text by A. McDonald, 25 May 2005, www.stateart.com.au/sota/reviews/default.asp?fid=3497

 / “Eyeing the follies of insipid world culture”, text by J. Daly-Peoples, Fine Arts, National Business Review, 21 January 2005. / “Cosmic campground”, text by A. Clifford, The New Zealand Herald, 19 January 2005. / “Thank you for recycling”, text by T. Laird, New Zealand Listener, 28 January 2005 / About Town, The Guide, Sunday Star Times, New Zealand, January 16th 2005. / “Hany Armanious”, text by J. Davidson and R. Leonard, Gallery News, Auckland Art Gallery, Nov-Feb 04-05. / Hany Armanious, catalogue essay, National Sculpture Prize and Exhibition, 2005. 2004 “Free installations”, text by P. Hill, Sydney Morning Herald (Spectrum), July 17-18. / “Art is a bunny rabbit”, text by A. Byrt, Listener, March 27 2004. / “The Creepy Contemporary Sublime”, text by A. Byrt Broadsheet, Feb-May, vol. 33 no. 1. / “Bloom mutation, toxicity and the sublime”, exh. cat, Govett Brewster Gallery, New Plymouth, New Zealand, curated by Gregory Burke. 2003 “Hany Armanious at Roslyn Oxley9 Gallery”, text by S. Rees, Flash Art, vol. 36, no. 232, October 2003. / “Hany Armanious”, text by M. Desmond Broadsheet, vol. 32, no. 3, September – November 2003. / “Strange Magic”, text by C. Piper, Silver Limbo, Issue 1. / “Zero Hour”, text by P. Hill, Sydney Morning Herald, Weekend Edition `Spectrum,’ 2-3 August, 2003. / “Down the rabbit hole”, text by D. Angeloro, Sydney Morning Herald (Metro), July 25 – 31, 2003. / “The Journey from Field to Fieldwork 1968 – 2003”, text by M. Plant, eyeline # 51, Autumn – Winter, 2003. / “Getting into the Giardini di Castello: Australia’s representation at the Venice Biennale”, text by S. Naylor, Art & Australia, 40th Anniversary Issue, Winter, vol. 40, no. 4. / “Time and Tide: Decadal Shifts in Australian contemporary art”, text by M. Titmarsh, Art Monthly Australia #160, June 2003. / “Fieldwork: Australian Art 1968 – 2002”, text by S. Koop, Broadsheet, vol. 32, no. 1, March, April, May. / “S & D at NGVA,” text by D. Thomas, Art Monthly Australia no. 157, March 2003. 2002 “Into the 1990s: the decay of postmodernism,’ text by C. Green, Fieldwork: Australian Art 1968 – 2002, exh. cat., National Gallery of Victoria, Federation Square, Melbourne, November 2002 to February 2003. / “Dividing Lines”, text by A. Gowronski, Broadsheet – Contemporary Visual Arts + Culture Newspaper, vol 31, no. 1, March – May 2002. / “Mea Culpa”, text by A. Frost, Australian Style, January 2002. 2001 “Hany Armanious: Prostrated offerings from a twentieth-century alchemist”, text by E. Sullivan, Art & Australia, vol. 39, no. 2. / Fergus Armstrong and Amanda Rowell, text by Selflok, catalogue essay, UCLA Hammer Museum, Los Angeles. / “Hany Armanious Interview”,UCLA Hammer Museum,www.hammer.ucla.edu/exhibits/hanyarmaniousinterview.htm / “Elfin Magic”, text by C. Kidd,  Sydney Morning Herald, 11 July 2001. / “Suspended Animation, Painting: an arcane technology”, text by N. King and Bala Starr, exh. cat., Ian Potter Museum of Art, Melbourne. / “Off with the pixies”, text by L. Travis, Like Art Magazine, no. 14. / “Hot Prospects”, text by L. Travis, Vogue Australia, February 2001. / “Romance within barbarism”, text by C. Kidd, Sydney Morning Herald, Wednesday, Jul 11 2001. 2000 “Hany Armanious”, text by Rex Butler, Artext, no. 68, Feb – Apr 2000. / “The Hot Seat: The Artist and his Critic”, Arts Today with Michael Cathcart, ABC Radio National, Friday 10 November 2000. / “From shock to schlock”, text by B. Genocchio, The Weekend Australian, Edition 1, Saturday 28 October 2000. / “At the Wheel”, text by W. McAloon, Listener, March 25 2000. / Drive catalogue essay, text by G. Bourke and H. Scott, Govett-Brewster Gallery, New Zealand. / Auto Art, text by M. Dunn Identità. / “Hany Armanious”, text by E. Colless, Like Art Magazine, no. 11 september 2000. / “At the gallery”, text by H. Scott, 25.07.00 (journal source not known). / “The Subterranean Hany Armanious”, Vogue #2, p. 74 1999 Moet & Chandon, Hany Armanious, Printed in France by Graphi Imprimeur – Rodez, Published by Moet & Chandon Australian Art Foundation, Epernay France / Home and away: contemporary Australian and New Zealand art from the Chartwell Collection, text by William McAloon, Auckland Art Gallery, 1999. 1998 “Shifting Views”, text by M.Fitzgerald, Time Magazine, Oct 19 1998. / “Snake charmer”, text by B. Genocchio, Broadsheet vol. 27, no. 3 october 1998. / “Funny? Moi?”, text by K. Pakula, HQ, no. 59, July/August 1998. / “Wentworth Courier”, text by S. Mooney, Wednesday, Apr 1 1998. / “Too much fizz”, text by G. Auty, Weekend Australian, March 28-29 1998. / “Laughing all the way to the Left Bank”, text by J. McDonald, Sydney Morning Herald, Friday, Mar 20 1998. / “Moët comes of age”, text by C. Taylor, The Australian, Wednesday, Mar 18 1998. / “Arts Today”, text by B. James, 18 March 1998. / “A touch of snake oil uncorks Möet prize”, text by B. Turner, Australian Financial Review, March 18 1998. / “Artist Hany Armanious has last laugh with a snake oil joke”, text by A. Bennie, Sydney Morning Herald, March 18 1998. 1997 Moet et Chandon Touring Exhibition, text by M. Wardell, catalogue essay. / “Contempora 5 Art Prize”, text by D.J. Huppatz,  Globe E-Site, Issue 5. / “Unpainting”, text by A. McNamara, Art & Australia, vol. 35 no 1. / Rapport, text by N. King, catalogue essay. / 33 1/3 catalogue essay, text by T. Smith,  August 1997. / Art Now: Contemporary Art Post 1970, text by D. Williams and C. Simpson, Book 2 / Artspace, text by C. Bride http://www.artspace.org.nz/shows/97_1.html 1996 An Uncertain Smile: Australian Art in the `90s, text by Rex Butler, Artspace Visual Arts, Sydney. / 33 1/3, text by Trevor Smith, exh. cat., Canberra Contemporary Art Space, Canberra. / “Hany Armanious”, text by D. Williams and C. Simpson, Art Now: Contemporary Art Post – 1970 (Book 2), McGraw Hill Book Company Australia Pty Limited, Sydney. / “Emblems that flag”, text by Giles Auty, Weekend Australian, Feb 3-4 1996. / “Flagging passions”, text by S. Smee,  Sydney Morning Herald (Metro), Feb 9-15 1996. / “The New Medicis”, text by B. Turner, Sydney Morning Herald, Aug 9-10 1996. / “Art Beat”, text by A. Johnson, Sydney Morning Herald, Friday, Apr 12 1996. 1995 “Theory or Therapy”, text by J. Gibson, Flash Art, Nov-Dec 1996. / “Hany Armanious”, text by J. Pascal, Virtual Reality, catalogue essay, National Gallery of Australia. / “Selflok”, text by E. Colless, Well Water Under a Tree, exh. cat., David Pestorius Gallery, Brisbane. / “Mr Big: Hany Armanious”, text by E. Colless, The Error of My Ways, Institute of Modern Art, Brisbane 1995. / “Inescapability of Sexual Difference”,text by T. Ross, eyeline, n. 28 Spring 1995. / “Wheat, wood and world weariness”, text by B. James, `The Age, Wednesday, 2 Aug 1995. / “Icons and idolisers”, text by F. Fenner Sydney Morning Herald (Arts), Friday, Jul 21 1995. 1994 “White”, text by R. Butler, Art & Australia, Winter 1994. / “Proud lineage of innovation”, text by F. Fenner, Sydney Morning Herald (Arts), Friday, Dec. 2 1994. / “Solemn search for the soul”, text by E. Lynn, Australian Weekend Review, Nov 26-27 1994. / “Hany Armanious”, text by M. Van Niewenhuyzen, Flash Art (International Edition), November 1994. / “White”, text by E. Colless, Art & Text no. 48, 1994. / “On a provocative paper-chase”, text by F. Fenner, Sydney Morning Herald (Arts), Friday, Oct. 14 1994. / “Hany Armanious”, text by E. Sullivan, Agenda, no. 36, May 1994. / “A genre beyond grunge”, text by F. Fenner, Sydney Morning Herald, 26 May 1994. / “Nostalgia and jelly delights”, text by F. Fenner, Sydney Morning Herald, 1994. / “Transfixed by a slippery character”, text by E. Lynn, Australian Weekend Review, March 12-13 1994. / “Double entente and a debut in white”, text by F. Fenner, Sydney Morning Herald, February 5 1994. / “Veil of prejudice lifts at last”, text by F. Fenner, Sydney Morning Herald, Saturday, January 1 1994. 1993 “Avant-Grunge”, text by J. Gibson, Art+Text, no. 45, 1993. / “The Good, the Bad, and the Abstract”, text by J. Gibson, Art & Text, no. 44, January 1993. / “Out of Humour”, text by K. Campbell Wit’s End, exh. cat., Museum of Contemporary Art, Sydney 1993. / “Shape of the new”, text by J. Hawley, Good Weekend: Sydney Morning Herald Magazine, June 12 1993. / “Wit’s End: The Comic Spirit & Contemporary Art”, text by P. Hansford, Wit’s End, exh. cat., Barberism 1993. / “Hany Armanious, Mr Big”, text by E. Colless exh. cat., Aperto section, Venice Biennale, november 1993. / “To Express the Object”, text by R. Butler, Monster Field, ex. cat., Barberism 1993. / “Hany Armanious”, text by A. Renton Flash Art Aperto’93 catalogue, Venice Biennale 1993. / “Punti Cardinale dell’arte”, text by A. Renton, exh. cat., Venice Biennale 1993. / “Hany Armanious: Australia”, text by A. Bond, The Boundary Rider: 9th Biennale of Sydney, The Biennale of Sydney Ltd., Sydney 1993. / “The frozen cow show”, text by P. Hill, The Bulletin, July 13 1993. / “Hany Armanious’s Mr Big at the Venice Biennale”, Sydney Morning Herald, June 30 1993. / “Mr Big upstaged by bisected cow”, text by F. Fenner, Sydney Morning Herald, June 30 1993. / “Scrounge Time”, text by E. Colless and D. McDowell, exh. cat., Plimsoll Gallery, Tasmania, 1993. / “Rococo Rubbish: The Art of Hany Armanious”, text by A. Loxley, Art + Australia, vol. 31 #1, Spring 1993. 1992 “Hany Armanious”, text by J. Gibson, Art & Text no. 43, September 1992. 1991 “Hany Armanious”, text by P. Hansford, Australian Perspecta 1991, exh. cat., Art Gallery of New South Wales, Sydney.